Advance Man opens with a seemingly typical conflict in which distressed wife Amelia discusses her potentially cheating husband, Bill, with a private investigator named Lynn.
In the tradition of Ray Bradbury, Theodore Sturgeon and Harlan Ellison, One Thousand Blinks uses a taut short-story format to deliver lurid sci-fi fun while also holding a cautionary mirror to contemporary society.
When the middle-aged Fay Schorsch and her estranged daughter, Rachel Browney, first check in to a nondescript motel room, they do not seem very different from many mothers and adult daughters.
