http://showbusinessweekly.com/articles.sec-2-1-theater-reviews.htmlThere is nothing better than walking into a theater and being completely and utterly captivated, allowing your mind to run wild, guided by the limitless imagination of the playwright, director and the]]>Inspired by the true story of a nun’s mysterious disappearance and murder in a remote Michigan parish in 1911, The Runner Stumbles has all the basic ingredients for an engrossing whodunit.]]>In 1849, Charlotte Brontë’s future was shaping up to be as bleak as her past. The sole survivor in a family of six siblings, the 33-year-old spinster faced spending the rest of her years caring for her elderly father.]]>Though there’s plenty of variety to be found in the Shelter’s anthology of thematically linked one-acts, the entries are alike in the high caliber of their performances.]]>While it may premature to identify a current trend in theater from the British Isles, it is certainly noticeable that many recent imports have a structural approach in common.]]>The new production of Macbeth by Epic Theatre Ensemble is perhaps as ambitious as its notorious title character.]]>The gender-reversed casting of Helena and Lysander still works seamlessly, and the same-sex marriage concept rings true once again.]]>Calling their process “investigative theater,” the Civilians have pioneered a method of making theater in which interview subjects are selected in accordance with a chosen theme.]]>Blogologues: Younger Than Springtime explores the joys of spring with uplifting and laugh-out-loud excerpts from the Internet.]]>Clybourne Park, originally produced off-Broadway in 2010, is proof that things never change. The play went on to win a Pulitzer Prize while we witnessed even more astonishing events tied to race.]]>Access Theater this month revives the renowned play Saint Joan, originally staged in 1924 and written by Nobel Peace Prize winner George Bernard Shaw. ]]>Culture Project presents the world-premiere production of Tennessee Williams’s final play, In Masks Outrageous and Austere.]]>Like many recent dispatches from the front lines of intimacy, Your Boyfriend May Be Imaginary, Larry Kunofsky’s epic relationship comedy, offers little in the way of optimism.]]>Producers of the abandoned revival of Funny Girl struggled to find a new Fanny Brice, someone with the requisite comedic chops and rafter-shaking voice who could shake the ghost of Streisand.]]>In Out of Iceland, Drew Latimore’s quirky valentine to Eylenda, an outspoken pillar of the elfin community comes out of hiding to demonstrate its remarkable gifts.]]>It remains among the most contentious disagreements in theater history: Chekhov called his plays comedies and resented director Stanislavski for diving too fully into the depression and delusion that permeates the work.]]>Close your eyes and listen to the symphony that surrounds you. The car horn honks in the distant, the refrigerator hums, your neighbor stomps around upstairs, and people laugh while passing on the street.]]>In the time it takes to download last week’s episode of Mad Men, married couple William (Johnson) and Katherine (Tasha Lawrence) transform from a completely monogamous pair to one enjoying a wide-open marriage aided by a social network of people looking for sex.]]>We often hear about acts of violence in the news, or watch staged bloodshed within the framework of a movie. Luckily, we don’t as often have to deal with what it would be like to unexpectedly witness such an act of violence firsthand.]]>The second part in the Sci-Fi Honeycomb Trilogy, Blast Radius begins 12 years after the first installment, Advance Man, and 12 years after the end of the world as humanity knew it.]]>