My
Trip to Al-Qaeda
Written by Lawrence Wright
Directed by Gregory Mosher
Culture Project
55 Mercer Street
212-352-0255
Review
by Randy Kandel
In
his one-man play, My Trip to Al-Qaeda, Lawrence Wright
plays himself: a handsome, charismatic journalist who has
just finished writing the daunting and critically acclaimed
book, Looming Tower: Al-Qaeda and the Road to 9/11.
The book tells the story forever etched into our national
psyche through four interconnected biographies: Al-Qaeda leaders
Osama bin Laden and Ayman al-Zawahiri, the FBIs counterterrorism
chief John ONeill, and Prince Turki al-Faisal, former
head of Saudi intelligence. Through meticulous research (over
560 interviews and never-before-seen documents), Wright exposes
the details and nuances of each personality with writing that
is provocative, probing and chilling.
|
The Enemy Within:
Lawrence Wright uncovers the seeds of terrorism in
his solo show My Trip to Al-Qaeda.
|
The
play provides an even more intimate perspective on how excess,
indifference, and fear on a global level are self-defeating.
Wright recalls the anxiety, anger and suspicion of colleagues
and acquaintances in countries where there is nothing to do
but explode. Remarkably, although Wright reads from his book,
and has a Power Point presentation running behind him, this
does not feel like a book lecture. Director Gregory Mosher
deserves partial credit for the escalating dramatic tension.
But the lions share belongs to the materials Wright
has collected. They include film footage of imprisoned Egyptian
Muslims, including Zawahiri, banging on their cells, chanting,
and shouting about their torture, and pictures of the road
to Mecca and its renovated mosque that has a capacity for
a million pilgrims, both built by bin Ladens father.
Poignantly, the last clip shows Americans holding naked detainees
at bay with wild dogs, and the last anecdote Wright tells
is of his home phone being tapped. "We have become them,"
he says.
Wrights
message is clear: although Al-Qaeda loves death, only we can
destroy ourselves. In conveying this message, Wright, the
journalist turned playwright turned actor, has accomplished
a triple tour de force.