Shut
Up & Sing
Directed by Barbara Kopple and Cecilia Peck
Review by Ethan Alter
In hindsight, it seems like such an overblown controversy.
During a March 2003 concert in London, Dixie Chicks
lead singer Natalie Maines told the packed audience:
"Just so you know, we're on the good side with
y'all. We don't support the war. And we're ashamed
that the President of the United States is from Texas."
Never mind that far worse things had been said about
George W. Bush in the run-up to the Iraq War. Never
mind that from her demeanor, it's clear that Maines
was making her statement partially in jest. Hell,
never mind that Bush isn't technically from Texas.
(He was born in Connecticut and attended boarding
school on the East Coast even after his family moved
to the Lone Star State.) That one off-the-cuff remark
still managed to inspire a media firestorm that turned
America's number one female band into national pariahs.
Suddenly, country music stations were no longer willing
to play Dixie Chicks music, and former fans were shown
on the nightly news tossing the band's CDs into overflowing
garbage bins. In interviews, these same men and women
acted as if the band had somehow betrayed an unwritten
code of ethics. It's one thing for East Coast liberal
types to denounce the President, but country singers
are supposed to wrap themselves in the flag, no matter
what their private feelings might be.
Three years later, of course, public opinion has turned
sharply against Bush and the Iraq War, but the Dixie
Chicks are still wrestling with the fallout of Maines'
words. Their experiences are chronicled in the new
documentary "Shut Up & Sing," which
is directed by Academy Award-winning filmmaker Barbara
Kopple ("Harlan County USA") and Cecilia
Peck. Jumping back and forth between 2003, in the
aftermath of the infamous London concert, and 2005,
when the Chicks began recording their latest album
in Los Angeles, the film paints a compelling portrait
of a band in transition. Furious at the way the country
music industry hung them out to dry two years ago,
Maines is reluctant to even call the new album "country."
Meanwhile, her fellow Dixie Chicks Martie Maguire
and Emily Robison try to sort out their own feelings
about Maines as well as the band's musical future.
"Shut Up & Sing" isn't a particularly
deep documentary, but it is a consistently engaging
one. Granted almost unlimited access to the band's
public and private lives, Kopple and Peck reveal the
human beings behind the headlines. The movie also
makes some interesting points about the role that
the mass media played in blowing the story out of
proportion as well as the American public's love/hate
relationship with celebrities who speak their mind.
Their words might not have been revolutionary, but
at least they stood their